Researching lighting techniques

                                                                

    For Film Noir, lighting is a major aspect of the production of the genre. In Film Noir some of the most prominent lighting are going to be strong key lights and very strong back lights. These two lighting techniques allow for high-contrast lighting also known as chiaroscuro lighting. Combined with the heavy use of  low-key lighting it emphasizes deep shadows to create the dramatic moody atmosphere.

(Three-point lighting set up)

    Lighting tools 

      Film Noir utilizes the use of tools such as cucoloris and gobos. Cucoloris and gobos are both light tools that control light shape. Cucoloris are placed in front of the light source and between the subject (a cutout placed in front of the light source). Gobos are placed inside or in front of the light source. This difference leads to the cucoloris being used to achieve a more natural look and simulate movement. While the Gobo is used to create patterns or textures onto a surface   

    

(lighting effect with a cucoloris) 

(Lighting effect with a Gobo)

      Low Key Lighting 

(Example using low-key lighting)

   Low key lighting is an essential technique used in film noir, it highlights shadows which creates a visual with contrast. Using strong focused light sources can add depth and textures to scenes, leading to an emphasis on mystery in the film. Low key lighting also puts an emphasis on facial features making them noticeable against the darkness. This technique is used to reveal the emotions and motivations of the character subtly.  

   

 

 High Key Lighting 

(Example in film noir using high-key lighting) 

  While low-key lighting creates contrasts, high-key lighting balances light and shadows. Although when using high-key lighting shadows are less noticeable, they can still add depth and dimension to the film. High-key lighting can project a optimistic tone while it contrasts with the traditional gloomy weather seen in film noir.